Oh yes I am shamelessly taking the
cue of other people who have already written about it. Then again we
never usually bother to spend a thought for most of the things we do,
to frame it better the same things which even the other people do.
Speaking of colours what
does exactly come to your mind? A brilliant rainbow occupying the view at the
horizon or the mirth which lingers as you smear the pigments on your friend's
face. Or is it just the white hibiscus blooming in your porch at night? The
blue of sky with the green of grass; the yellow of sun and the red of Rose
beneath it all mingled together wrestling towards a certain contrast which says
the understatement of life.
And when I speak to you about my
days
Happy and sad put together
Hand in hand they sway after
The trembling wind shows them its
ways
Subtlety is what I prefer, both in
thoughts and actions. Keeping sync with that I'd choose my colours. Colours
which etch my life, paint the vistas, seen and unseen. The red I find in the
wine of love oozes towards a brighter yellow which illuminates a field of
green. Suddenly there is a white amidst the leaves, the white which scatters
out from the sunshine creating the edge where vision gets lost. Oh!! Am I
seeing the bright ones? Just then you find a random violet hidden somewhere
down the dense foliage. Look for it else it will not appear before your eyes.
And when you hold it gently, you see the streaks of navy near its bosom. Yes,
the darker side of blue from the cold depths of sea. The blue, which being dragged
out by one random tide, falls on the sand only to fade away. And if this
sounds like oblivion, I'll bring the grey to you. The grey of steel rails or
wretched walls brings with it the depression of being led to certain nowhere. Often
that nowhere ends at crossroads which together hold the immense of black. Black
is mighty and it alludes to those mysteries of life unearthed from the bygones.
Bit by bit it spreads its impervious veil to blind the mind’s eye overpowering
nostalgia and all the prudence clogged there. Then again is this all about grey
and black? Won’t the optimist get over the gloom to mix both of them on his palette
and then paint the endless sky when the clouds up there become moist and heavy?
Close your eyes for a while and you can let go your body in the inebriety which
flows in the maddening winds then. And when you wake up from the aerial slumber
you can find the little orange patches towards the west, the very west where
the sun has gone down. Smile at them and they would come to touch your soul
with letters from the window pane by which your beloved sits to remember you,
in a country, oceans apart. As his face sings out “Remember Me Lover” the moon
appears in its ‘silver shoon’ adjacent to the orange. The moon adds to the
intoxication around. It sprouts out desire in you from the portals of romance
embedded in you. Much like a wild eroticism you will wish to make love to
nature, to the tranquillity in which the moon treads, to him seated thousand
miles away. And as the night of passion dies drawing a cobwebby picture of
cherished memories, the eastern sky welcomes a faint pink, a message of
goodwill and hope that turns the bad man good. The beginning arrives to set
forth the vicious cycle for the umpteenth time as the breaths are spent to
reach the inevitable end. Death? Yes, death. The demise coloured in Sepia ochre
that runs beneath the veins of dried leaves. Life goes on as the embryo within
the mother’s womb takes a yawn before waking up and death exists as a part of
life, not as it’s opposite. Thanking Murakami for the wise words I’d let the
colours shine on their own, undisturbed and unadulterated….

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